Sunday, February 19, 2023

Will Carter Has A Passion For Storytelling

 

Photo taken at the Downtown Cowtown Isis Theater in Fort Worth by Alan Mercer

 

Will Carter is a country singer and songwriter from Katy, Texas whose talent and commitment have earned him over a dozen singles on the Texas music charts. Three of these songs have crossed successfully over to Nashville’s Music Row Chart, extending his fanbase nationwide. For the last three consecutive years, Carter has been nominated Male Vocalist of the Year and awarded Songwriter of the Year at the Texas Country Music Association Awards.

Texas born and bred, Will Carter was raised on his family’s farm with a day-and- night work regimen. It’s where he learned to respect hard work and traditional values. This environment provided Will a gateway to country music.

Carter’s love and passion for storytelling infuses his songwriting with compelling narratives. An even more intimate relationship with music developed when Carter was a teenager. When his father became severely ill, Carter created a playlist of his father’s favorite songs to share with his dad, providing both with renewed comfort and joy. Carter sold the same playlist on CD to help raise money for his family which, in turn, landed him on the Debra Duncan television show when he was just 13. These songs were played for his father every day until he passed. The peace, comfort, and inspiration made possible thru heartfelt lyrics and simple melody continue to guide Carter’s songwriting, consistently landing Top 20 singles on the Texas charts. 

Carter has been actively touring with his band, performing over 150 shows a year. Will Carter’s high-energy performances offer a country music tour de force that appeals to music fans of all ages. He currently boasts over 17,000 social media followers, has opened for Cody Johnson, Randy Rogers, Bart Crow, Jack Ingram, Larry Gatlin, Saints Eleven, Josh Ward, Cody Canada and others, and has been featured on podcasts such as The Troubadour, The Sports Guys, and Scenes Live. His catalogue of music can be heard on radio stations nationally with particularly heavy airplay in Texas and surrounding states. Be sure to catch the next Will Carter show when it comes to town!

Photo taken at the Downtown Cowtown Isis Theater in Fort Worth by Alan Mercer


Alan Mercer:  Will, you have had such great success the last couple of years. Why do you think this is happening for you?

Will Carter:  I’ve been writing a long time and I’ve had the pleasure of writing with some fantastic songwriters. Clay Mills and I wrote ‘Started With A Whiskey’ together. He’s had hits with tons of great artists like Diamond Rio and Darius Rucker. Shane Stevens is a very close friend of mine and also one of my favorite writers. He had his first hit with Lady A called ‘American Honey’. He has enjoyed a lot of success. We started writing together and we click real well so we write together a lot.

AM:  So, you credit your songwriting partners?

WC:  Also, I didn’t grow up like a lot of my peers. I grew up on a self-sustaining farm in a very small town. We were a very poor family. I milked goats every morning and gathered eggs and had a three-acre garden. My dad was diagnosed with cancer when I was very young and as part of that, we had to get all of the alcohol out of the house. You would be amazed by everything that has alcohol in it. We made our own soaps and toothpaste. It was crazy. I grew up almost Amish. We still have the property but I don’t live out there anymore. We do go out there a couple times a month to shoot skeet or ride dirt bikes.

AM:  Don’t you live in Katy, Texas now?

WC:  Yes, We moved to Katy, and I graduated from Katy high school and then I went to Texas A&M. I have my own construction company now. I live a very different life than I did back then. I would say I have a ton of different perspectives.

AM:  It’s a broader perspective.

WC:  Sure, as a writer you write what you know. The more things you’ve seen just gives you that much more material.

AM:  Do you write a lot of the melodies?

WC:  I do write the melodies and I co-write the lyrics.

AM:  When I hear your melodies it’s an instantaneous like.

WC:  I like hearing that. When I was growing up, we used to say that my dad was country, and my mom was country club. My mother was born in Pasadena, Texas, but her father was in sales, so they moved around a lot. They moved to Ohio and California and then back to Texas. My dad had only been here, and he was always so country. I grew up listening to every Chris LeDoux album with my dad. My dad didn’t care for Chris LeDoux’s double live album because he said it had too much guitar. He liked the more traditional stripped-down style. My mom was more into rock & roll. We had a little bronco four-wheel drive that we used on the farm. My mom took it to town one day and when she came back, my dad and I get in the car and the radio was blasting Aerosmith. I like both styles of music.

AM:  You can hear that in your albums.

WC:  If you look at the three albums that I have put out, you will hear everything from very traditional, almost Johnny Cash style music like ‘Laredo’ and ‘Wishful Drinking’ and then you’ve got your more contemporary nineties-two thousand kind of country like ‘Undeniable’ and ‘House of Cards’ and then we have ‘Siesta, Fiesta, Tequila, Repeat’.

AM:  I love that song!

WC:  It’s crazy but the best feedback I get about that song is from kids. They can’t sit still when they hear it. Some people hate that song but then they like the other styles. I have something in there for everybody. I’m not married to any one style or genre. I grew up listening to a diverse selection of music.

AM:  I like the fact that much of your music is upbeat and fun. It’s good time music.

WC:  I grew up listening to Garth Brooks because of his high energy live show. I was picked up by a dancehall band called the Emotions, that have been around since the late 1970’s. I got hired on as one of their lead singers right out of high school. We had wireless mics; ear monitors and guitar pickups and we were all over bar and the dance floor getting the crowd engaged. I learned how to put on a high energy, interactive live show. If you go to see a concert you are going there to be entertained and you want to have fun. I place a lot of focus on that.

AM:  I think it’s obvious for anyone who has been to one of your shows.

WC:  Tom Jackson is arguably the most famous live show producer in the world and we flew his team down three times to work with us one on one for forty hours a week, taking the songs and stripping them down to understand what song fits in to what place in the set and how to get the most out of it. What we are doing on stage is not an accident. We have a lot of thought, time and practice to get there.

AM:  Yet it looks like you are just casually having a great time.

WC:  He has a book called ‘All Roads Lead To The Stage’ and the theory behind it is to create moments. You want to take the audience on a journey by bringing them way up and then bringing them down. You create a moment when you bring the lights down and sit on a stool and sing a ballad. People remember that. It’s not so much scripted or choreographed as it is giving you the parameters while allowing you to the freedom to let the audience kind of guide you a little bit. You have a homebase, but you are allowed some flexibility to be spontaneous in the moment.  No two shows are the same, even though the general outline has been premeditated.

AM:  What made you decide to dedicate a song to the first responders?

WC:  The song is called ‘What About Love’. Back in March 2020 when all the craziness was going down with covid. My wife is a doctor, and she was in the thick of it. She said we would come out of this but there would be all this hate and division and she was right. People either went real far right or real far left and we see all this bickering and hate. At the end of the day, it’s ok to think differently and feel differently, but it’s not OK to be unkind to one another. The purpose behind the song is to remind everybody to choose love over hate and be kind to each other regardless of what your personal thoughts and beliefs are. It’s also a thank you to the heroes that sacrifice so much so the rest of us can enjoy the freedom and liberties that we do.

AM:  You have lots of good quality videos. Is that something you enjoy making?

WC:  Videos are an absolute blast. I like to write in a way that leaves the song open to interpretation. I want the listener to be able to make it their own and relate to it in their own way. However different we may all be, we are also very similar at the core. I like to make videos that show my take on the song because it can be interpreted differently.

AM:  Do you have a favorite video?

WC:  The current single, ‘Had It All Wrong’ is my favorite to date because it was my chance to somewhat capture the unique way I grew up. To be able to capture that and tell my story as well as have my band and some friends in it, all filmed on the property where I grew up. It’s special and personal to me.

AM:  How much time are you able to put into your construction business?

WC:  Monday through Friday, 8 to 5 and then music is Monday through Friday 6 to 10 and on weekends all day.


AM:  That’s a lot. Do you enjoy working this much?

WC:  Absolutely! I lost my father when I was 13. I was the oldest of four. My mom had only ever been a mom. She had 4 kids, with one being autistic, so she had her hands full and no work experience. We were very poor. I’m the one in charge and I have to provide for everybody.

AM:  Does your family help you now?

WC:  My mom works for my company and my sister works for both jobs, like I do. She handles all the marketing and social media. I’m very blessed to have a very strong team so I don’t have to be in the weeds all the time. It’s the same with my music. I have a fully staffed label. I have management and booking, I have social media teams, radio promoters and publicists.

AM:  Looks like everything is going good for you. What are your goals for 2023? Is there a new album coming?

WC:  The first two albums I put out; I did like everybody else. You write the songs and go into the studio, you hire a producer and they use session musicians to build the tracks and then your live band goes and performs them. I’m also blessed that the guys in my band are all studio musicians as well. When you come to see my show live, I want it to sound like the record, so we are halfway through recording the new album and we are going to finish it in February and March. And release it this Summer. This will be the first full length album with “the band” going into the studio the old school way and press record and do what we do on stage live. That all kind of started with the song ‘Wrong Side Of Town’ that I’ve been playing for nine years. I’ve had it produced several times because when people hear it live, they ask for it. Everybody asks for that song, and I’ve tried to have it produced but it just wasn’t right. It wasn’t what we do in a show. So, I thought, let’s just bring the band into the studio and do it the way we do. That’s the song everybody likes and asks for. So, we did and I absolutely love the way the track sounded. I knew that going forward this is what we were doing. The guys are unbelievably talented, and I knew I would be happier. I love every track we have recorded. I’m super excited because when you go to a show you will be seeing the exact same guys who recorded the album playing live.

To learn more about Will Carter visit his web site https://www.willcarterofficial.com/



Thursday, January 26, 2023

Thursday Throwback Blog-Gary P. Nunn

 


I talked with Texas Music Legend, Gary P. Nunn back in April 2017. You can read the blog at this link


AM:  You are in the Texas Hall of Fame, the West Texas Walk of Fame and you’re the Musical Ambassador for Texas. What does this mean to you?

GPN:  Being Ambassador means a lot to me because actually, I have gone out of my way in order to promote Texas music, Texas artists and the Texas music industry. That’s why I started a publishing company, so we wouldn’t have to go to Nashville. We can do it ourselves. We started out slow and let it build to set an example for others. This tells them, “You can do this too.” You can start your own publishing company and you can make your own records here in Texas. We’re not going to be superstars but we’ll lay the foundation for others.






Monday, January 23, 2023

Paul Val: Keeping The Blues Alive

 

All photos taken by Alan Mercer in Fort Worth.                                     


Paul Val is one of the most exciting Blues Rock revival guitarists emerging on the music scene. His style is groove oriented and roots inspired. He demonstrates a high level of proficiency in the traditional Blues genre and renews it by breathing new life into the music.

Growing up in Riverside, California, Paul always had a strong connection to Texas music, so it’s no surprise he ended up in Austin, where he befriended Memphis Blues Singer, Soul Man Sam, who put him in front of live audiences.


Paul Val started listening to punk rock music as a five year old, but shifted to heavy rock & roll and ended up in the blues by the time he was fifteen. Still, his early bands and recordings are more rock influenced.

Paul's first EP album, 'Steady Rock and Roller' was released in 2020 and spawned two singles, 'Gone Too Far' and "Cheap Tequila'.

Paul's unique sound personifies the future of the blues in America.



Alan Mercer:  So, Paul, you grew up in Riverside, California. Did you grow up in a musical house?

Paul Val:  Yes, but it was punk rock music. My father, Mark Hernandez was a punk rock musician. He also did live sound for the Southern California scene. He also toured as a bass player.

AM:  Wow! You really did grow up in a music world!

PV:  My first concert was Gwar and Misfits when I was four years old.

AM:  You write the best songs. They are all killer!

PV:  Thank you.

AM:  Tell me about your latest song, ‘Dreaming Of A Woman’.

PV:  I like to write from personal experience. Whether it’s autobiographical or I see it happen to someone else in the world of life, I will write a song about it. For instance, if I am driving my car and someone cuts me off, I want to write a song about it. Something like that.

AM:  “Dreaming Of A Woman’ is pretty straight forward blues, isn’t it?

PV:  Yes, that’s what I want to do.

AM:: Can you tell me about another song you wrote, ‘Miss Influencer’?

PV:  Yes, that song is about the state of the world we are in. It’s about how people’s online presence can dictate who they are as a person. We are all equal, social media is not real, it’s what we see on a screen. That’s why the pre chorus says, “If you live that perfect life, you’ll never know what’s wrong or right.” The chorus goes on to say you can have all the followers but when we are dead and gone it won’t mean a thing. Social media is always changing, so all these people who are considered famous online won’t mean anything when it changes.


AM:  One of my favorite songs in ‘There’s Something You Should Know.’ That song is so amazing. I love the production. Isn’t that a different kind of song than your others?

PV:  Yes, of course, there are songwriter blues and straight forward blues and straight rock & roll.

AM:  Your first album is more rock & roll oriented and I do love it too, but I do enjoy hearing the growth in your music.


PV:  I recorded that album when I was 24. I was already playing the blues, but I didn’t feel like I had mastered it yet. Not that I’ve mastered it now, but I do have more of a grasp of it. What I play now is more mature than that album.

AM:  What about a new album anytime soon?

PV:  We are working on it right now. ‘Dreaming Of A Woman’ is the first single off this debut full length album. We are going to release it on vinyl too.



AM:  Are you going to put the other two songs on the album too?

PV:  I’m not sure, but we probably will.

AM:  Who influences you musically?

PV:  Everybody since I’ve been born. It took along chain of people.  Where do I even begin? The list would start with The Misfits, the Ramones, Slash and Stevie Ray Vaughn. I discovered B.B. King and Gary Moore was a huge influence. Like every other guitar player, I started copying people but now I find my own sound. I don’t want to sound like anybody else.


AM:  You have definitely found your sound.

PV:  That was my goal.

AM:  Do you like Southern Rock?

PV:  You know, I never got into it. Maybe I will in the future. I’ve said that about a lot of other music and then five years later I’m listening to it and loving it. For some reason, I don’t know why, I never got into Eric Clapton growing up, but literally the last five years of my life, as I started getting older, I am a huge Eric Clapton fan and now he is a huge influence on me.

AM:  So, is your new goal to release the album and tour to support it?

PV:  The goal is whatever the outside forces have in mind for me. My goal has always been to keep blues alive and guitar-based music alive and to be the next big thing. I want to be as big as possible, but I only have so much control over that. I’ve learned to let things go. It will all depend on how much support I get. If I get a team that helps financially to come in and throw a bunch of money to make me great.

AM:  That is honestly what it takes.

PV:  I like to say what is the difference between a good artist and a bad artist? Money. Chris Cain is the best blues guitarist in the world, and nobody knows about it.

AM:  You are a music star in Austin.

PV:  Yes, that’s because I keep playing in front of people. No one can stop you if you’re in front of people. That’s what I figured out. I have been playing literally 7 times a week when I first moved to Austin. Now I can headline Antone’s and sell it out. Now, how do we get beyond that.

AM:  I think everyone likes your kind of music.

PV:  I agree. The funny thing is I’m playing contemporary “old people blues” and I have people in their 20’s in my audience. When you go in to record for a label, they want you to record whatever is popular, but I strongly believe that this will work.

AM:  Do not give in.

PV:  People fall into that trap and that is why so much music sounds the same. 

To learn more about Paul Val visit his web site https://www.paulval.com/







Saturday, January 14, 2023

George Jones Tribute: Country Music King

 

Three contemporary photos taken by Alan Mercer in Los Angeles in February 2011


George Jones began his career by performing on the street to help earn money for his large and impoverished family, and after a brief stint in the military began to pursue his musical ambitions in earnest. In 1955 Jones landed in the country Top Ten with "Why Baby Why," and for the rest of his career was very rarely far from the charts, releasing hit single after hit single as a solo artist and as a duet partner with some of country’s biggest stars, most notably Tammy Wynette, who was also his third wife. Battling his personal demons along the way, Jones amassed an impressive musical legacy that earned him a 2012 Grammy Lifetime Achievement Award, among many other honors. 


George Glenn Jones was born in Saratoga, Texas, on September 12, 1931. One of eight children in a poor family, his father was an alcoholic who sometimes grew violent. "We were our daddy's loved ones when he was sober, his prisoners when he was drunk," Jones later wrote in his autobiography, I Lived to Tell It All. But despite these hardships, Jones and his family members shared a love of music, often singing hymns together and listening to records by the likes of the Carter Family. They also enjoyed listening to the radio, tuning into programs from the Grand Ole Opry.


With his songs about heartbreak, by the early 1960s, Jones had established himself as one of country music’s top singer as he continued to find chart success with singles such as "Window Up Above" (1960; No. 2) and the No. 1 hit "Tender Years" (1961). In 1962 the balladeer again returned to the top of the charts with what is regarded as one of his trademark tunes, "She Thinks I Still Care," and the following year teamed up with Melba Montgomery for the first of several albums, What’s in Our Heart, which reached No. 3 on the charts and proved to be their most successful collaboration.


But Jones maintained a presence on the charts on his own as well, scoring Top 10 hits with the 1964 single "The Race Is On" (No. 3) and 1965’s “Love Bug” (No. 6). The latter half of the 1960s was much the same for Jones, with both his solo efforts and his collaborations meeting enthusiastic reception. Among his notable tracks from this period are the singles “I’m a People” (1966) and “As Long As I Live” (1968), as well as the 1969 duet album with Gene Pitney, I’ll Share My World with You, featuring the No. 2 charting song of the same name.


Jones died on April 26, 2013, at Vanderbilt University Medical Center in Nashville, Tennessee, where the 81-year-old had reportedly been hospitalized with irregular blood pressure and a fever just a week earlier. 

With a career spanning more than 50 years, Jones is regarded as one of country music’s all-time greatest stars. His clear, strong voice and ability to convey so many emotions won over thousands of fans, as well as earning him the envy of his peers. As fellow country star Waylon Jennings once said, "If we could sound the way we wanted, we'd all sound like George Jones."


Check out my blog with George Jones on my other blog here http://amprofile.blogspot.com/2012/03/george-jones.html





Johnny Bush Tribute: Lone Star State Staple

 

Portraits of Johnny Bush taken by Alan Mercer in Weatherford, TX on October 14, 2017


Johnny Bush was a country music singer-songwriter whose song “Whiskey River” became a signature song for outlaw country legend Willie Nelson.


Singer/songwriter/drummer Johnny Bush, born John Bush Shinn III in Houston, began his country career as a vocalist and guitar player in 1952 at the Texas Star Inn in San Antonio. Eventually he switched to drums and in the early '60s began working in Willie Nelson's band, the Record Men. A year later, he joined Ray Price's Cherokee Cowboys. During his three years with the band, Bush tried to cut a record deal, but the labels felt he sounded too much like Price to be marketable. Nelson stepped in and paid for Bush to cut his first album, Sound of a Heartache. After strong local response, he first hit the charts in 1967 with the minor hit "You Oughta Hear Me Cry." The next year he had three hits, including the Top Ten "Undo the Right."

 


In 1972, Bush had a Top 20 hit with "I'll Be There," which led to a deal with RCA and a Top Ten hit with his song "Whiskey River," which later became Willie Nelson's signature song. Just as Bush reached the brink of stardom, he started to lose his vocal range. Doctors were not able to diagnose the reason until 1978, when they found he had a rare neurological disorder, spastic dysphonia. This did not prevent his recording, but his career soon took a downturn. Working with "voice builder" Gary Catona in 1985, Bush was able to bring back about 70 percent of his original voice. The following year he and Darrell McCall teamed up to record the successful honky tonk album Hot Texas Country. He then assembled a large country band and began performing around San Antonio.

 




In 1994, he and the band released Time Changes Everything and launched a major tour; the 1998 follow-up, Talk to My Heart, was regarded as one of his finest recordings in many years. Bush continued a prolific release schedule into and during the new millennium, on occasion even releasing two albums in a single year. His recordings during this period included Lost Highway Saloon and Sings Bob Wills (both 2000), Green Snakes (2001), Honkytonic (2004), Texas State of Mind and Devil's Disciple (both 2006), and Texas on a Saturday Night (co-billed to Justin Trevino) and Kashmere Gardens Mud: A Tribute to Houston's Country Soul (both 2007).


Johnny Bush passed away at the age of 85 on October 16, 2020






A Little Bit of Fort Worth Music History

 


Let’s start with a little bit of history to start this blog off. Probably the most famous contemporary Music Stars from the Fort Worth area are Kelly Clarkson, who grew up just south of downtown in Burleson, TX, and Kirk Franklin, but there are several other talented folks who paved the way before Kelly and Kirk. Here are just a few. This is in no way intended to be a thorough biography. You should research these musicians to learn their full stories.



Ray Sharpe

First, we have Ray Sharpe. Born Edward Ray Sharpe on February 8, 1938, in Fort Worth, TX. Best known for his 1959 dual market hit "Linda Lu," the singer-songwriter parlayed interest in his early recordings into a solid following in domestic clubs and international festivals. Sharpe's style encompasses all the best elements of early rock 'n' roll. As a singer-songwriter, he has mined Chuck Berry-type humor from the situations and wordplay in his songs. As a guitarist, he alternates snarling single note Albert King guitar bends with with twangy, free-flowing rockabilly.

"When I wrote 'Linda Lu' back in the 1950s, I didn't think much of it," Sharpe told Randy McNutt, author of We Wanna Boogie: The Illustrated History of the Rockabilly Movement. "A buddy of mine named Mike had asked me to write a song about his girlfriend, Linda, who used to come into the club to dance." He further recalled, "I wrote the song to rib her a little bit. You see she had a fascinating rear end, so to speak. When she danced, people watched." After playing the song in clubs, the singer forgot about it until his second recording session at Hamilton. "Then in the winter of 1958 I went to the Audio Sounds recording studio to make a record with Duane Eddy's band backing me up," Sharpe recalled. "My producer Lee Hazelwood asked me if I had one more song to make four, and I was stuck. So I started playing 'Linda Lu" for him."

"Linda Lu" became something of a bar-band anthem in the United States, where it was covered by various acts, most notably blue-eyed soul rocker Wayne Cochran. In the United Kingdom, Johnny Kidd & the Pirates hit the British Top 50 with their version.

Although "Linda Lu" continues to be his most popular composition, Sharpe's songs have been covered by artists as diverse as Neil Young, J.B. Hutto, and Rickie Van Shelton. A stroke of good fortune came his way during the early 1990s when, like his contemporary and close friend the late Ronnie Dawson, he was rediscovered by rockabilly enthusiasts. Nowadays he mixes bookings at domestic blues festivals with overseas rockabilly revivals, where he is overwhelmingly received as the star he deserves to be.


Bobby Day 

Rock and Roll and R&B singer and songwriter Bobby Day was best known for his only major hit “Rockin’ Robin” recorded in 1957 on the Classic Label. In 1958, the single, written by Leon Rene under the pseudonym Jimmie Thomas, reached no. 1 on the R&B chart, no. 2 on the Billboard Hot 100 chart, and sold over one million copies. Day was a multi-instrumental artist, music producer, singer and songwriter. 


Robert James Byrd was born July 1, 1930, in Fort Worth, Texas. He moved to Los Angeles at age 15 and began performing with the Hollywood Flames at the Otis’s Barrelhouse Club in Watts, Los Angeles.

Best known for his songwriting ability, Day wrote and recorded “Little Bitty Pretty One” but it was made popular by Thurston Harris whose version hit no. 6 on the Billboard Hot 100 chart in 1958. The single was also recorded by Frankie Lymon in 1960 followed by Clyde McPhatter in 1962. The Jackson Five recorded the song in 1972 where it reached no.13 on the Billboard Hot 100 chart and no. 2 on the Billboard R&B chart. Day wrote and recorded “Over and Over” that climbed to no.40 on the pop chart in 1958. The Dave Clark Five, an English Rock & Roll band in 1958 made their own version which hit the Billboard Hot 100 in 1965.  Among other songs he wrote and recorded were “The Bluebird, The Buzzard and the Oriole,” and “That’s All I Want” in 1959. Day recorded on several record labels including Rendezvous, RCA, Sure-Shot, and Jama Records.

 

Day appeared on several variety shows in the 1950s, 1960s and 1970s including American Bandstand and The Midnight Special. Both were live music variety shows featuring performances by popular artists, interviews of celebrity guests, and teenagers dancing. 

Bobby Day died of prostate cancer at age 60 on July 27, 1990, in Los Angeles. He is survived by his wife Jackie and their four children.



Ornette Coleman 

Ornette Coleman was one of the true jazz innovators, whose sound was instantly recognizable and unquestionably unique. Coleman's work ranged from dissonance and atonality to liberal use of electronic accompaniment in his ensembles, as well as the engagement of various ethnic influences and elements from around the globe. While experimenting with time and tone, his strong blues roots were always evident.

For the most part, Coleman was self-taught, beginning on the alto saxophone at age 14. Coleman's earliest performing experiences were mostly with local rhythm-and-blues bands. Coleman settled in Los Angeles in 1952. His search for a different sound and approach, a means of escaping traditional chord patterns and progressions, led some critics to suggest that he did not know how to play his instrument. In reality, he was studying harmony and theory zealously from books while supporting himself as an elevator operator.

The year 1959 was an important one for Coleman and his band: he signed a recording contract with Atlantic Records, recording the first album to really present his new sound, Tomorrow Is The Question!; his quartet was invited to participate in what became a historic session at the Lenox School of Jazz in Massachusetts, being championed by John Lewis and Gunther Schuller; and the band began an extended engagement at the Five Spot Cafe in New York. Meanwhile, Coleman was developing an approach to his music that he was to dub "harmolodics."



Roger Miller 

Roger Miller was more than just a honky-tonk man and singer. He was also a songwriter, a guitarist and fiddler, a drummer, a T.V. star, a Broadway composer, and perhaps, above all else, one of the wittiest personalities in Country music.

Though he's known largely as a writer of novelty songs, due to such hits as "Dang Me," "Chug-A-Lug," and "England Swings," Roger Miller was in fact one of the finest country songwriters of the '60s and '70s, and an important influence on the progressive country movement. Blending country with jazz, blues, and pop, he utilized unusual harmonic and rhythmic devices in his sophisticated songcraft, creating timeless, widely covered gems ("King of the Road," "Husbands and Wives") that have been tackled by everyone from Dean Martin to Giant Sand. In the '80s, he wrote the songs for the Broadway musical Big River, which ran for over 1,000 performances and won seven Tony Awards.

Miller was born in Fort Worth, TX, but raised in the small town of Erick, OK, by his aunt and uncle, following the death of his father and his mother's debilitating sickness. Initially, he was attracted to music by hearing country over the radio as well as by his brother-in-law, Sheb Wooley. By the time he was ten, he earned enough money picking cotton to buy himself a guitar. At the age of 11, Wooley gave him a fiddle and encouraged him to pursue a performing career. Miller completed the eighth grade and left school to become a ranch hand and rodeo rider. Throughout his adolescence, he played music in addition to working the ranch. Soon, he was able to play not only guitar and fiddle, but also piano, banjo, and drums.



Townes Van Zandt 

With an understated voice that quietly overflowed with melancholy, humor, and insight, Townes Van Zandt was an icon of American songwriting. His songs would become hits for other artists, but substance abuse issues, problems with record labels, and general hard luck saw him spending the majority of his life as a cult figure at best, drifting across the world playing tiny rooms up until his early death at 52. 

Van Zandt was respected and admired by his contemporaries during his life, particularly for a hot streak of records he recorded in the early '70s that included High, Low and in Between and The Late Great Townes Van Zandt. 



His legacy would grow after he was gone, with various books and documentary projects examining the tragic beauty that touched both his art and his life. Van Zandt was born in Fort Worth, Texas, on March 7, 1944. 




T-Bone Burnett 

In a musical career that dates back to the mid-'60s, T-Bone Burnett has earned the respect of his peers and a loyal cult following as an uncommonly thoughtful and frequently witty singer and songwriter with a singular take on the moral dilemmas of modern life. The updated rockabilly of 1980's Truth Decay and the expansive rock sounds of 1983's Proof Through the Night won him plenty of accolades as a songwriter, but he's enjoyed significantly greater success as a producer, helming projects for a diverse array of artists, from Roy Orbison, Elvis Costello, and Gillian Welch to Los Lobos, Rhiannon Giddens, and Imelda May, giving them a sound that's warm and dynamic, and imaginative arrangements that are engaging while serving the song and the vision of each artist. 

He's won a number of Grammys and has a successful second career coordinating music for film and television, with his credits including 2000's O Brother Where Art Thou, 2012's The Hunger Games, and 2012's debut season of the TV series Nashville (created and produced by his wife, Callie Khouri). As his work in TV, in film, and as a producer took up more of his time, Burnett's own albums became a sideline, but he could still produce strong, deeply moving album, typified by 2019's The Invisible Light: Acoustic Space and 2022's The Invisible Light: Spells, two entries in a cycle of albums he insists will be his last.


Born Joseph Henry Burnett on January 14, 1948 in St. Louis, Missouri, he grew up in Fort Worth, Texas, soaking in the area's indigenous blend of blues, R&B, and Tex-Mex sounds.



Delbert McClinton 

The venerable Delbert McClinton is a legend among Texas roots music aficionados, not only for his amazing longevity, but for his ability to combine country, blues, soul, and rock & roll as if there were no distinctions between any of them -- in the best time-honored Texas tradition. A formidable harmonica player long before he recorded as a singer (he played the signature harp riff on Bruce Channel's 1962 number one hit "Hey! Baby"), McClinton's career began in the late '50s, yet it took him nearly two decades to evolve into a bona fide solo artist with 1975's Victim of Life's Circumstances.

 After working hard for a few years, McClinton scored a Top Ten hit when the slick, funky "Giving It Up for Your Love" peaked at number eight in 1981. While it was his only pop hit, it laid the groundwork for an enduring career as an American roots artist. McClinton's profile received a boost in 1992, when he won a Grammy Award for "Good Man, Good Woman," his duet with Bonnie Raitt. More duets and awards followed as he settled into a blues direction with several albums for New West (two of which were Grammy winners). McClinton continued to use blues as a foundation for him to explore other roots music in the 21st century, releasing new material and touring steadily. 

Delbert McClinton was born in Lubbock, Texas, on November 4, 1940, and grew up in Fort Worth. Discovering the blues in his teenage years, McClinton quickly became an accomplished harmonica player and found plenty of work on the local club scene, where musicians often made their living by playing completely different styles of music on different nights of the week.

 









 








Friday, January 13, 2023

Welcome to my newest blog, The Sounds of Fort Worth!

 




Welcome to my newest blog, The Sounds of Fort Worth! I've had my first entertainment blog, Alan Mercer’s Profile, that started in Los Angeles, for 14 years. The primary purpose when I started it in 2009 was to showcase my photography, although I soon learned that often the interview would overshadow the photos, so I made it more about the subject and when Covid hit I started interviewing people over the phone and using their existing photographs. My idea of what the blog was had to evolve in order to survive.

When I moved to Texas in 2014, I kept the blog going, but the subject matter shifted from Los Angeles based musicians and actors to Texas musicians. I didn't realize how rich Texas is with talented musicians, actors & artists. So, I decided to start another blog that will be more specifically about music and the arts of the DFW area, but concentrating on Fort Worth. Also this blog will be more of a community project with other writers and photographers contributing content. If you are a writer or a photographer and want to contribute please write me at my email ra321547@gmail.com 




Johnny Chops and His Stories of Redemption

  All photos taken at the Post on River East in Fort Worth by Alan Mercer Johnny Chops has been writing and performing music since his uncle...